Heimat (2010)

Performance, Contribution Kreis Klever Kulturtage, Wasserturm, Geldern (D

After Exhibition
Your performance in the large cupola hall got something of a catacomb mass of the early Christians through the height (constructionally complicated production of lanterns - illumination of complex connections from above) and the unfinished, raw, as it were basic, upward pointing, still designable walls, that swung in the shimmering kettle with.
The occult appeal was, face turned away waiting in the water bowl circle (= fireplaces, house thresholds) to the expectant well intended in your earth-brown circles in the heavenly circle, ascetically modest as you want to be, that to the base, number determined, waterless and disciplined wandering and disciplining water passing from threshold to threshold, crawling from threshold to threshold, showing subordinating poverty, enlightenment explained by self-baptism, the dervish turning of the Mevlevi, pushing open a door in the tower - recognizing this-sided and other-sided-divine world. Poverty vows by means of begging like cordial (consecrated) passing on of your gold treasure.
Horst Reusche